African American
Related: About this forumA great essay about Iggy Azalea, cultural appropriation, and black women in the industry ...
This is from last July. Brittney Cooper in Salon. Excellent.
http://www.salon.com/2014/07/15/iggy_azaleas_post_racial_mess_americas_oldest_race_tale_remixed/
Iggy Azaleas post-racial mess: Americas oldest race tale, remixed
As a white female rapper mistakes appropriation for artistry, black women remain pushed to the sidelines
Iggy is a protégé of T.I., one of my all-time favorite rappers. Though T.I. is known for Atlanta-style, crunk Southern bravado that is a hallmark of Black culture in that city, according to journalist/blogger Bené Viera, T.I. recently expressed disappointment that were at a place in America where we still see color. Apparently, color is only relevant when hes talking about racist acts against Black men, but not when he has to think through his complicity in white appropriation of Hip Hop music.
As a born-and-raised Southern girl, who believes that lazy summer evenings are best spent with your top back or your sun roof open, bass-heavy music booming through nice speakers, while you slowly make a few blocks through the neighborhood, to see whos out and whats poppin, I resent Iggy Azalea for her co-optation and appropriation of sonic Southern Blackness, particularly the sonic Blackness of Southern Black women. Everytime she raps the line tell me how you luv dat, in her song Fancy, I want to scream I dont love dat! I hate it. The line is offensive because this Australian born-and-raised white girl almost convincingly mimics the sonic register of a downhome Atlanta girl.
The question is why? Why is her mimicry of sonic Blackness okay? Though rap music is a Black and Brown art form, one does not need to mimic Blackness to be good at it. Ask the Beastie Boys, or Eminem, or Macklemore. These are just a smattering of the white men whove been successful in rap in the last 30 years and generally they dont have to appropriate Blackness to do it. In the case of Southern rappers like Bubba Sparxx or Paul Wall, who do sound Black as it were, at least it is clear that they also have the accents of the places and communities in which they grew up.
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Iggy Azalea interlopes on this finely honed soundscape of Southern Blackness to tell us how fancy she is, and ask how we love dat. Her recklessness makes clear that that she does not understand the difference between code-switching and appropriation. She may get the science of it, but not the artistry. Appropriation is taking something that doesnt belong to you and wasnt made for you, that is not endemic to your experience, that is not necessary for your survival and using it to sound cool and make money. Code-switching is a tool for navigating a world hostile to Blackness and all things non-white. It allows one to move at will through all kinds of communities with as minimal damage as possible.
But it is also rooted in a love and respect for ones culture and for the struggle. That kind of love and respect for sonic Southern Blackness made Zora Neale Hurston one of the greats. Hell, it made Mark Twain one of the greats. But Iggy is more like the Joel Chandler Harris of Hip Hop.
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Iggy profits from the cultural performativity and forms of survival that Black women have perfected, without having to encounter and deal with the social problem that is the Black female body, with its perceived excesses, unruliness, loudness and lewdness. If she existed in hip hop at a moment when Black women could still get play, where it would take more than one hand to count all the mainstream Black women rap artists, I would have no problem. Iggy would be one among the many. But in this moment, she represents a problem of co-optation. She represents the ways in which hip hop is on a crash course to take exactly the path that rock n roll took such that 20 years from now, people my nephews age, will look at the Macklemores and Iggys of the world as representative of Hip Hop Culture, with nary a Black soul making their top ten list of hip hop greats.
This kind of cultural appropriation of Black womens labor and creativity for white womens gain, white mens gain and Black mens gain, is not new at all. It is the oldest race tale on American soil, remixed for a new era. And I aint got no love for that.
BronxBoy
(2,286 posts)But I'm not...
Who the fuck is Iggy Azalea?
Definitely my age showing
kwassa
(23,340 posts)who raps in a vocal impersonation of an American black woman, and who has become a big star this year.
Aren't you glad you asked?
Not really
I can't really comment on rap as I don't really listen to it. But I do know who TI is. Does he deserve some blowback for this? What has been the response from Sista rappers?
Butt implant.....really???
kwassa
(23,340 posts)and there is a major fit from one sista rapper than I haven't sat down and listened to. Azealia Banks.
I don't know for sure about the butt implant, but there are before and after shots ....
bettyellen
(47,209 posts)They are getting much more common these days.
MrScorpio
(73,630 posts)I'm afraid so
Warpy
(111,138 posts)Seems there are a lot of people who want her to shut up and be demure and decorative like sweet little white ladies are supposed to be.
If she sucks, the fans will tell her. If she doesn't, maybe she'll get the confidence to use her own accent instead of the one that agents said she had to use in order to be taken seriously.
As for the ass implants, she'll live to regret them.
glinda
(14,807 posts)Especially her butt. Yikes.
Warpy
(111,138 posts)she'll go into well deserved oblivion.
Feral Child
(2,086 posts)Maybe she should have appropriated Brazilian Zumba, instead. From all the infomercials, I'd think she'd get better "exposure".
Not being disrespectful of the article, just fooling around It seems to be a valid perception, at least from my limited perspective. I'm still pist about Vanilla Ice. Now the dude's got a home-remodeling show, whilst still dressing in his faux-black "costume" and pretending to be relevant.
I grew up on Smokie. White teens revered the man, but we didn't pretend to be him. Disrespectful, I call it.
Sorry for my less than timely post, I've been wandering around lost in the GD Swamp.
1StrongBlackMan
(31,849 posts)(said a 53year old, 1 SBM) ... Iggy Azalea is the latest incarnation of "white face" in "urban" music.
For an interesting read ... try and find what Nicki Minaj has to say about "the I-G, G-Y."
elehhhhna
(32,076 posts)And she kinda sucks, beside the point but still. The hyperinflation fake ass is creepy too.
roguevalley
(40,656 posts)heaven05
(18,124 posts)Last edited Sat Dec 27, 2014, 01:12 PM - Edit history (1)
Elvis Presley? Little Richard, Fat's Domino, Chuck Berry? The latter never received their financial due that their opposites on the privileged side did and this OP proves it's still going on in one respect or another. The beat goes on...always has, always will be. I agree with the last 2 and 1/2 lines, 100%, thanks for this reenlightenment. Had not thought of that area of amerikan exceptionalism for a while.