If they had been allowed to come, they would have been hit with rocks, D-cell batteries, bottles, eggs, and plastic baggies filled with human excrement
AGAIN. This happened before, courtesy of the Cuban "exile" protestors who demanded their rights so wildly previously to stand close enough they could go after them that the Grammys were returned to Los Angeles, contrary to original plans.
http://www.timba.com/artists/losvanvan/index.asp?Page=photos.htmon edit: I just returned from listening to the song available on their webpage, and was AMAZED by their unbelievable talents. Maybe someone else would take a listen. It's the first one on the list, LosVanVan, "Tim-pop con Birdland"
http://www.timba.com/music/songs.aspConcerning the Buena Vista Social Club:
(snip)
Viva "Buena Vista Social Club"
In spite of volatile Cuban-American exile politics, Wim Wenders' music documentary wins over Miami.
BY ART LEVINE
A little over a week ago, the aging Cuban musicians from the Buena Vista Social Club played in the heart of notoriously anti-Castro Miami, and, this time, there were no firebombs, no protests, no violent attacks on the audience.
They played a lilting and sensuously rhythmic music from the old Havana of the 1940s and 1950s, and the mostly Cuban-American audience greeted these players with robust applause, affection and a fond nostalgic remembrance of their lost Cuba.
Of course, the musicians were only there on a movie screen in the U.S. premiere of Wim Wenders' lovely new documentary, "Buena Vista Social Club," inspired by the Grammy-winning, Ry Cooder-produced album of the same name. Indeed, when a few of the musicians showed up last year to play in person for a music industry conference in Miami Beach, hundreds of protesters chanted outside and the convention center hall was cleared briefly because of a bomb threat.
Still, the warm response to Wenders' stirring film represents progress of sorts for a community still shaped by the feverish right-wing exile politics that have turned Miami into the nation's most repressive city for artistic free expression. Cuban-born Raquel Vallejo, a member of the Miami Beach Cultural Council, went to last year's bomb-threatened concert and also attended the Wenders screening at the Miami Film Festival. "Isn't it ironic," she told a friend, "that a lot of the people clapping tonight were
the same people involved in the protests outside the convention hall?" (snip/...)
http://www.salon.com/ent/music/feature/1999/03/09feature.html
It might be important to repeat that the Bush administration has forbidden the American Ry Cooder to produce any more albums, concerts, etc. with the Buena Vista Social Club, to give it up.