Frank Rich: The gospel according to Gibson

Frank Rich NYT
Friday, August 1, 2003

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"Anybody who transgresses has to look at their own part or look at their own culpability."

Fears about what this ‘‘truth’’ will be have been fanned by the knowledge that Gibson bankrolls a traditionalist Catholic church unaffiliated with the Los Angeles Roman Catholic Archdiocese. Traditionalist Catholicism is the name given to a small splinter movement that rejects the Second Vatican Council — which, among other reforms, cleared the Jews of deicide. The Wall Street Journal’s opinion pages, which have lavished praise on Gibson and his project, reported in March in an adulatory interview with the star that the film’s sources included the writings of two nuns: Mary of Agreda, a 17th-century Spaniard, and Anne Catherine Emmerich, an early-19th-century German.

Only after Rabbi Marvin Hier of the Simon Wiesenthal Center in Los Angeles, among others, spoke up about the nuns’ history of anti-Semitic writings did a Gibson flack disown this provenance.

Emmerich’s revelations include learning that Jews had strangled Christian children to procure their blood. It’s hard to imagine a scenario that bald turning up in ‘‘The Passion.’’ Indeed, it’s hard to imagine the movie being anything other than a flop in America, given that it has no major Hollywood stars and that its dialogue is in Aramaic and Latin (possibly without benefit of subtitles). Its real tinderbox effect could be abroad, where anti-Semitism has metastasized since Sept. 11, and where Gibson is arguably more of an icon (as his production company is named) than he is at home.
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