Think about it. Nearly every society is patriarchal, except for a few exceptions among North American Indian populations. There may be a few others. Language evolves in the context of a given culture. It thus reflects the values and norms of that culture. English is far older than our modern, more egalitarian society. Surely you know women's rights were extremely restricted for most of our history. It is natural that our language would reflect that social structure.
This is far from a novel or radical idea. People don't normally think about such things. They simply talk. But academics have for decades now deconstructed language to understand its embedded meanings. Gender is but one such area of analysis.
There is an endless amount of material on gender in language available online. This is a resource list:
http://www.linguistics.ucsb.edu/faculty/bucholtz/lng/rsrc.htmlIt's all high brow academic stuff that most people, quite understandably, cannot bear.
The English language also reflects ideas of race. Blackness is associated with evil or other negative attributes: black as sin; the black sheep of the family: a black mark; blackmail, etc... Many scholars have analyzed such embedded meanings. Here is an excerpt from an online article I found by Jessica Brophy.
"The English language is a significant carrier of racism as its uses of "black" and "white" become to mean more than color. The uses of "black" and "white" in the English language are so embedded, so prone to seeming almost natural, so richly, stylistically, and freely intertwined within the system of words, that their unequal uses have become unconscious. Speakers of the English language do not consciously recognize how racially-charged words are, specifically how "black" has negative connotations and "white" positive connotations (and I would even go so far as to say denotations, for what is racism, but a belief in something that is more than a feeling, but a belief in something one believes is fact?) "Ignoring race is understood to be a graceful, liberal, even generous habit" (Morrison 257), but it does nothing to de-racialize a "race"-conscious language. It does nothing to eradicate "race" as real. It does nothing but advocates the use of a language that silences and excludes a people living on the margins of a dominant culture.
In order to prove his ideas that the English language is in fact his enemy, Davis lightly skimmed Roget's Thesaurus of the English Language and found the following. The word "whiteness" has 134 synonyms, 44 being favorable ("purity," "cleanness," "chaste," "innocent," "just," "unblemished," "fair") and only 10 seen as mildly negative ("gloss-over," "pale," "whitewash") (74). The word "blackness," on the other hand, had 120 synonyms, 60 of which were unfavorable ("wicked," "deadly," "unclean," "foul," "obscure") and none even mildly positive. Twenty of the words were directly related to "race," such as "Negro," "nigger," and "darkey" (74-75). Without figuring out percentages, it is obvious that a language (specifically American English here) built upon abstractions like justice, liberty, and equality did not intend to share equal terminology with a "race" "found" to be inferior.
Notions of "black" as negative and "white" as positive go back further than the first publication of Roget's Thesaurus, however. These notions became institutionalized in the language of the Bible and in the language of Shakespeare. Ali A. Mazrui in "Language and Race in the Black Experience: An African Perspective" finds the use of "black" as a metaphor for "evil," "void," and "death" within the English language worldwide (104). Since Christianity was a religion made victorious mostly through the efforts of white people, as Mazrui argues, then angels became "white" and the devil "black" (104). "Black" as "void" arises from the idea that blacks had no history, that their continent was living through a "dark age," one of barbarism and primitivism. Professor Hugh Trevor-Roper says, "There is only the history of the Europeans in Africa. The rest is darkness . . . and darkness is not a subject of history" (qtd. in Mazrui 107). In both Julius Caesar and MacBeth, Shakespeare equates "black" with "death." In Julius Caesar, the "black sentence" (4.1) was a sentence of death against those associated with the assassination of Caesar. In Macbeth, Malcolm refers to Macbeth as "black Macbeth" (4.3), suggesting his soul is set on only murder and death."
http://euphrates.wpunj.edu/faculty/parrasj/BurningLeaf/burning_files/essay_writing/essay_pg01.htmlNot exactly typical DU Lounge fare, but you did ask.