residence that was endowed by Maybelle Carter and bears her name. I go to visit two or three times a week, so Maybelle's name is always in front of me! One of her autoharps is in a glass case in the parlor there, btw. :-) My dad had several Carter family vinyl records and I grew up listening to their music. If you like them as much as I do, you might also enjoy this:
http://www.bluegrassworks.com/review.php?reviewID=98"The excellent Nashville-based label Dualtone and the producer John Carter Cash, son of John and June, have done all of us the immensely kind favor of three CDs -- the one here reviewed, plus (A. P. and Sara's children) Janette & Joe Carter's Last of Their Kind and June Carter Cash's Wildwood Flower -- celebrating the first family of American roots music. In The Unbroken Circle top-flight performers from various genres - country, folk, bluegrass, pop - pay tribute to A. P., Sara, and Maybelle and some of the marvelous songs they recorded.
Though nearly everything on this album sounds just fine, the cut that is most likely to strike the ear and tear the heart is Johnny Cash's version of the traditional railroad ballad "Engine One-Forty-Three." (Also known as "The Wreck on the C&O" and "The F.F.V.," it grew out of a real-life
incident, an 1893 train wreck near Hinton, Virginia.) Literally the last thing Cash recorded before his death in September 2003, it is a song about a dying man, sung by a dying man. Even the most naïve listener will not fail to grasp that; Cash is singing as if his life depended on it, and it did. If Johnny Cash has meant anything to you in your life -- I can barely remember when he wasn't a part of mine -- it will overwhelm you. Here is a towering figure in our music, a man who through his marriage to June Carter literally wed his already considerable presence to an immortal musical family. His "Engine" is surely among the most chilling performances in all of recorded American music...."