Saramago is a Nobel Prize-winning Portuguese author.
is an unforgettable book that takes you on a strange journey inside the mind of a very ordinary individual. It's a real page turner...
The basic story line of All The Names is surrealistic, very reminiscent of Franz Kafka’s The Trial. Senhor Jose works for the central registry, presumably in Lisbon, but the city is never named. The building itself is ancient, a couple of blocks square and filled with cards on file. This is the registry of births, marriages, divorces, remarriages and deaths. Nothing is done by modern machinery, yet the time seems to be contemporary. One might not be so surprised that they are not using computers, but there is even no xerox machine, nor any other such accommodations to the 20th century. No air-conditioning, (though nothing is mentioned about heat), and the clerks still fill cards using pens dipped in real ink wells.
The bureaucracy of the central registry is absolute and authoritarian. The simple clerks are divided into teams each with a head clerk. These head clerks deal with deputy clerks, and they in turn deal with the central registrar himself, the absolute authority, the god of the establishment. Senhor Jose, while 50 years old is still a simple clerk. However, this is not too surprising since there are only 6-8 upper-level folks, so upward mobility is not easy.
By a quirk of circumstances we learn that until a few years ago most of the clerks lived in very small homes build up against the side wall of the central registry building. These were torn down and the clerks all moved. However, one house was left for architectural history and Senhor Jose happens to live in that house. The back wall of his house contains a door into the registry building, but he is not allowed to use that, though he has a key, and even in terrible weather or when he is sick, he must still go all the way round the block to the front of this massive building.
Saramago is a great pains to build the inner picture in the reader of the darkness of the building, the oppressiveness of the authoritarian structure, and the fear of the registrar himself in which the clerks live.
Early on we learn that Senhor Jose has a hobby in which he collects newspaper clippings of famous people, there not being too many of them in this small country. In a daring decision which Senhor Jose cannot even imagine he has made, he decides he needs to flesh out what he knows of his famous folks by including the material on their cards in the central registry. He decides to copy each of these cards, but since it is simply unthinkable to do so in the work day, he begins to sneak into the registry building at night to borrow and copy these cards, thus adding the birth, parental data and such to his knowledge of the celebrities in his “collection.” One evening he “borrows” five cards to work on them, but, in his house he drops them and when picking them up discovers he somehow has six cards, not five. The sixth is the card of some unknown and unfamous woman. Senhor Jose treats this accident as some sort of transcendental message, and resolves to learn more about this never named 36 year old woman. Thus begins the real plot of the novel.
We follow Senhor Jose on a madcap set of strategies to uncover what he can of the woman on the card....
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