MONDAY "IN" THE UNDERGROUNDRAILROAD (A Day In The Lounge) UNDERGROUNDRAIROAD FROM THE GIT-GO Good Monday Everybody and Welcome to
Monday 'IN' The Undergroundrailroad. Today I will be serving a delicious, moist, mouth watering
Chocolate Cake. May I suggest ice cold
Herbal Ice Tea to compliment your Chocolate Cake? I know, I know not good for those of us counting calories! Remember, it's about portion sizes. Perhaps share a slice with a friend while you take them along to the Undergroundrailroad. Now, grab your chocolate cake and ice-tea. It's time for us to travel into the
Undergroundrailroad!
___________________________________________________ TAP Yesterday, Gregory Hines, tap dancer extraordinaire, died of Cancer at age 57. This was a complete shock to me since I had not read or heard that he was ill. But the more I think about it, his silence was classic Gregory Hines. He was a mentor to many African-American students of tap and he always instilled a sense of history when he discussed tap-dancing. It was NOT about HIM, it was about the art of TAP!
African-American tap is a custom, unique to black history, as it originated during the days of southern slavery after drums were outlawed because of slave uprisings. Slaves would place a heavy object in their shoe and "tap" out messages to each other. This form of communication was crucial especially when slaves needed to communicate with their families in silence if they were about to attempt to run away, sometimes with the assistance of Harriet Tubman, conductor of The Undergroundrailroad.
At the age of 4, my mother enrolled me in tap dancing school. My instructor, Miss Horn, was very strict and I would tremble as she walked the mirror-lined walls with a wooden pointer in her hand. "Let your feet become your voice" she would shout! Of course all of us wanted to please her and do our best because there was the annual recital. The objective was to stomp and sashay our way to the front line of the dance recital. When it was time for her to call out the names of those who would take a "lead" role I was certain I would not be chosen. Finally, the very LAST name was mine! Miss Horn gave me a wink when I looked up and smiled at her.
Now it was time to purchase shiny new tap shoes and spectacular costumes in brilliant colors. My mother helped with sewing my costume which was all purple and when I put it on, what "attitude" I had! I still have it to this day. When I heard the news about Gregory Hines, I rushed to the attic to take it out. Still beautiful, I just wanted to hold it for a moment to recall my brief tap dancing career which was over at the age of 12.
Tap dancing was a part of my youth and a part of my heritage. As I placed the costume back in the box, I slipped a little note inside. It said, "Gregory, thanks for the inspiration you have given so many people. Oh, and don't forget "let your feet become your voice".
The voice of "tap" and Gregory Hines will not be forgotten.
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August 11, 2003
Gregory Hines, Dancer and Actor, Dies at 57By JENNIFER DUNNING
Gregory Hines, the genial, suave dancer, singer and actor who for many personified the art of classical tap in the 1980's and 90's, died late Saturday on his way to a hospital from his home in Los Angeles. He was 57.
The cause was cancer, said Yvette Glover, a longtime friend and the mother of the tap-dancer Savion Glover, who frequently described Mr. Hines as a mentor.
Mr. Hines began dancing professionally as a young child but went on to become an unusually successful crossover actor in theater, film and television. He won a Tony Award as best actor in a musical in 1992 for his portrayal of Jelly Roll Morton, the pioneering jazz composer, his fourth Tony nomination as a performer, and he was host, with Bernadette Peters, for the Tony Award ceremony last year. He appeared in major films, including Francis Ford Coppola's "Cotton Club," and "White Nights," with Mikhail Baryshnikov, in which Mr. Hines played an American defector to the Soviet Union. He had his own sitcom, "The Gregory Hines Show," on CBS in 1997 and played recurring characters on "Will & Grace" on NBC and "Lost at Home" on ABC.
Mr. Hines never forgot his dance origins, however, and was a tireless advocate for tap in America. In 1988 he lobbied successfully for the creation of a National Tap Dance Day, now celebrated in 40 cities in the United States and in eight other nations. In his acceptance speech in 1996 for an award given him by Career Transition for Dancers at its annual benefit gala, he berated the gala's organizers for not including tap on the program.
"Anyone who has watched his superb virtuosity over the years would notice how the dancer's weight-shifting style is now ornamented with a jaunty rhythmic filigree," Anna Kisselgoff, dance critic of The New York Times, wrote of Mr. Hines's guest performance in 1995 in a benefit for Eliot Feld's New Ballet School. "Visual elegance, as always, yields to aural power. The complexity of sound grows in intensity and range."
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The Boondocks by Aaron McGruder _________________________________________
QUESTIONS OF THE DAY 1. Have you seen any Gregory Hines or Sammy Davis Jr. movies or plays ?
2. In your youth, did you take dance lessons or were you on any sports teams?
3. At what age did you first learn how to drive. Who taught you.
4. What is your favorite flavor ice-cream?
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I'm OUTTA! See you next Monday 'IN' The Undergroundrailroad !
Undergroundrailroad