The Desperate Censors
Republicans Behind Attack on Fahrenheit 9/11

By KURT NIMMO
So desperate are Bush Republicans to kill Michael Moore's latest film, Fahrenheit 9/11, they have hired a public relations firm to set up a web site attacking Moore. The site, MoveAmericaForward.com, claims to be "non-partisan," but a glance at the "About" page of the site reveals the director and staff of Move America Forward are all diehard Republicans, anti-tax activists, and former legislative staffers. The PR firm is Russo Marsh & Rogers.
Russo Marsh & Rogers is a GOP consultation firm. In 2002, Ron Rogers teamed up with Reagan heavyweight Lyn Nofziger and Ed Rollins to work on the gubernatorial campaign of Bill Simon (see Campaign movements -- People & Organizations.)
Thanks to the detective work of WhatReallyHappened.com, it was revealed that Move America Forward's web site was registered in the name of Russo Marsh & Rogers. In other words, Move America Forward is about as partisan as it gets without putting the GOP seal of approval on the web site. In short, Move America Forward's campaign is a Republican dirty trick designed to smear Moore and pressure move theater owners not to run his film.
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Certainly, time is short for the Republicans -- millions of Americans are about to learn how George Bush had a business relationship with the Bin Laden family -- and they will learn it right before the election. Russo and the "non-partisan" Republicans want to make sure you never see Moore's film. They don't want you to know the truth about Bush and his buddy-buddy dealings with the Saudis.

http://www.counterpunch.org/nimmo06142004.html

F911 opens Nationwide Friday, June 25th. More info on DUers going to opening night and greeting the freeps:
http://www.democraticunderground.com/discuss/duboard.php?az=show_mesg&forum=106&topic_id=8384&mesg_id=8384


June 5 Anti-war March in LA images here:
http://ediablo.com/LAprotest6-5-04.html

"In short, Move America Forward's campaign is a Republican dirty trick designed to smear Moore and pressure move theater owners not to run his film" ... surprise, surprise :eyes:

Actually, anyone who supports Bush is a f*cking FASCIST. They are destroying the freedoms and rights our country was founded on. They hate America and Democracy.

They're behind this AND the support of Nader's candidacy. And God knows all kinds of other shady activities with a goal of undermining democracy. Which they did already when they stole the election and through probably voter fraud in 2002.

And we don't even know the full story about all the factors leading up to the REAL 9/11 event...

'Fahrenheit 9/11' Gets Standing Ovation

By Roger Friedman

The crowd that gave Michael Moore's controversial "Fahrenheit 9/11" documentary a standing ovation last night at the Ziegfeld Theater premiere certainly didn't have to be encouraged to show their appreciation. From liberal radio host/writer Al Franken to actor/director Tim Robbins, Moore was in his element.

But once "F9/11" gets to audiences beyond screenings, it won't be dependent on celebrities for approbation. It turns out to be a really brilliant piece of work, and a film that members of all political parties should see without fail.

As much as some might try to marginalize this film as a screed against President George Bush, "F9/11" — as we saw last night — is a tribute to patriotism, to the American sense of duty — and at the same time a indictment of stupidity and avarice.

Readers of this column may recall that I had a lot of problems with Moore's "Bowling for Columbine," particularly where I thought he took gratuitous shots at helpless targets such as Charlton Heston. "Columbine" too easily succeeded by shooting fish in a barrel, as they used to say.

Not so with "F9/11," which instead relies on lots of film footage and actual interviews to make its case against the war in Iraq and tell the story of the intertwining histories of the Bush and bin Laden families.

First, I know you want to know who came to the Ziegfeld, so here is a partial list:

Besides Franken and Robbins, Al Sharpton, Mike Myers, Tony Bennett, Glenn Close, Gretchen Mol (newly married over the weekend to director Todd Williams), Lori Singer, Tony Kushner, "Angela's Ashes" author Frank McCourt, Jill Krementz and Kurt Vonnegut, Lauren Bacall (chatting up a fully refurbished Lauren Hutton), Richard Gere, John McEnroe and Patti Smythe, former U.N. ambassador Richard Holbrooke, Carson Daly, NBC's Jeff Zucker, a very pregnant Rory Kennedy, playwright Israel Horovitz, Macaulay Culkin, Philip Seymour Hoffman, Kyra Sedgwick, Linda Evangelista, Ed Bradley, Tom and Meredith Brokaw, director Barry Levinson, NBC anchor Brian Williams, Vernon Jordan, Eva Mendes, Sandra Bernhard and the always humorous Joy Behar.

If that's not enough, how about Yoko Ono, accompanied by her son, Sean, who's let his hair grow out and is now sporting a bushy beard that makes him look like his late, beloved father John Lennon?

And then, just to show you how much people wanted to see this film, there was Martha Stewart, looking terrific. I mean, talk about an eclectic group!

Now, unless you've been living under a rock, you know that this movie has been the cause of a lot of trouble. Miramax and Disney have gone to war over it, and "The Passion of the Christ" seems like "Mary Poppins" in retrospect. Before anyone's even seen it, there have been partisan debates over which way Moore may have spun this or that to get a desired effect.

But, really, in the end, not seeing "F9/11" would be like allowing your First Amendment rights to be abrogated, no matter whether you're a Republican or a Democrat.

The film does Bush no favors, that's for sure, but it also finds an unexpectedly poignant and universal groove in the story of Lila Lipscombe, a Flint, Mich., mother who sends her kids into the Army for the opportunities it can provide — just like the commercials say — and lives to regret it.

Lipscombe's story is so powerful, and so completely middle-American, that I think it will take Moore's critics by surprise. She will certainly move to tears everyone who encounters her.

"F9/11" isn't perfect, and of course, there are leaps of logic sometimes. One set piece is about African-American congressmen and women presenting petitions on the Florida recount, and wondering why there are no senators to support them.

Indeed, those absent senators include John Kerry, Hillary Clinton and Ted Kennedy, among others, which Moore does not elaborate upon. At no point are liberals or Democrats taken to task for not supporting these elected officials, and I would have liked to have seen that.

On the other hand, there are more than enough moments that seemed to resonate with the huge Ziegfeld audience.

The most indelible is Bush's reaction to hearing on the morning of Sept. 11, 2001, that the first plane had crashed into the World Trade Center.

Bush was reading to a grade-school class in Florida at that moment. Instead of jumping up and leaving, he instead sat in front of the class, with an unfortunate look of confusion, for nearly 11 minutes.

Moore obtained the footage from a teacher at the school who videotaped the morning program. There Bush sits, with no access to his advisers, while New York is being viciously attacked. I guarantee you that no one who sees this film forgets this episode.

More than even "The Passion of the Christ," "F9/11" is going to be a "see it for yourself" movie when it hits theaters on June 25. It simply cannot be missed, and I predict it will be a huge moneymaker.

And that's where Disney's Michael Eisner comes in. Not releasing this film will turn out to be the curse of his career.

When Eisner came into Disney years ago, the studio was at a low point. He turned it around with a revived animation department and comedy hits such as "Pretty Woman" and "Down and Out in Beverly Hills."

But Eisner's short-sightedness on many recent matters has been his undoing. And this last misadventure is one that will follow him right out the doors of the Magic Kingdom.

http://www.foxnews.com/story/0,2933,122680,00.html