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Rising Phoenix Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Apr-08-09 01:52 PM
Original message
some pastels

love

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Steerpike Donating Member (1000+ posts) Send PM | Profile | Ignore Fri Apr-10-09 09:03 AM
Response to Original message
1. nice work!
On that third one my eyes keep dropping to the cleavage....

seriousley, you should try adding different textures. maybe a damp sponge to dab at the hair or use a speedball pen to add scratches or even small areas of colored linework...
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Rising Phoenix Donating Member (1000+ posts) Send PM | Profile | Ignore Fri Apr-10-09 10:36 AM
Response to Reply #1
2. thanks
different textures is an excellent idea........
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AllenVanAllen Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Apr-15-09 05:13 PM
Response to Reply #2
3. Do you seal your pastel pieces when you done
Edited on Wed Apr-15-09 05:13 PM by AllenVanAllen
if so, what do you use that won't yellow over time?

I dig the girl in the middle!
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Rising Phoenix Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Apr-15-09 07:19 PM
Response to Reply #3
4. thanks
an art teacher gave me a good tip.....hairspray....the cheaper the better, areasol.......I like Rave, personally......I haven't had any problems with yellowing.....
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Heidi Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Apr-16-09 01:07 AM
Response to Reply #4
6. Fixative is truly only designed for building up the workable surface of the paper
between layers of dry pastel. If you work horizontally (instead of flat on a flat surface), your paper has a good tooth, and you fix the work between layers, all you really need to do to have a relatively stable finished work is gently tap the back side of the paper to release any loose dust before double-matting and framing the piece.

I think when people talk about the possible yellowing of a pastel piece, they're referring to the long-term preservation of the work -- whether it yellows over 10, 20 or even 50 years. In my experience, fixative on top tends to "flatten" the brilliant tones of dry pastel. I sure wouldn't count on fixative to protect a pastel piece that's going to be stacked with other work or rolled up for storage. Fixative in relation to pastels doesn't promise archival protection.

Just a few thoughts. :hug: :hi:
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Forkboy Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Apr-15-09 07:21 PM
Response to Original message
5. I dig them all, but the first one hits me for some reason.
As always, nice work. :)
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Rising Phoenix Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Apr-16-09 09:12 AM
Response to Reply #5
7. thanks
:hi:
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Rising Phoenix Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Apr-16-09 03:35 PM
Response to Reply #5
8. Thats interesting
the second two are portraits of people who only exist in my mind.

the first however, is a very special person in my life.
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Forkboy Donating Member (1000+ posts) Send PM | Profile | Ignore Sat Apr-18-09 02:39 PM
Response to Reply #8
9. Hmmmm...
That's cool. It definitely hit me more than the other two, though it's tough to say why. There's a different energy to that one, if that makes any sense. :)
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Rising Phoenix Donating Member (1000+ posts) Send PM | Profile | Ignore Sun Apr-19-09 11:04 AM
Response to Reply #9
10. it does make sense
I care for this person very much
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liberalmuse Donating Member (1000+ posts) Send PM | Profile | Ignore Mon May-11-09 04:26 PM
Response to Original message
11. I love your stuff, RP.
Edited on Mon May-11-09 04:28 PM by liberalmuse
Coming from my particular life experience, it's edgy, and it throws me out of my comfort zone. That is one of the more vital functions of art, IMO. Again, love it!
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Rising Phoenix Donating Member (1000+ posts) Send PM | Profile | Ignore Tue May-19-09 08:06 AM
Response to Reply #11
12. thank you so much
hopefully I'll have some new stuff to post soon! :hi:
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