"Man of the Year", Paul Revere, and the Deer that Wanted a Ride
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I just got back from watching Man of the Year, the new Robin Williams movie about a computer program that makes a political satirist the next president. I was thrilled that someone in the mainstream was taking on such a timely topic. Not just anyone, but Barry Levinson (Rain Man, Good Morning, Vietnam, and Wag the Dog, among other credits) and Robin Williams. "That'll make 'em stand up and take notice" I told myself excitedly. Last week, the movie's Chicago premier, I read two local reviews that barely touched on the entire premise of electronic voting affecting a national outcome. To make matters worse, they essentially panned the movie. It was very dispiriting, to say the least. And yet, what did I expect when the national media has so assiduously avoided the whole election fraud topic since 2000?
It was heartening to hear from Mike Shelby, an Arizona voting activist, who found the audience 'got' it just fine.
http://www.opednews.com/articles/life_a_michael__061016_straight_from_the_sh.htm When I went tonight, I had to stop myself from hissing aloud or leading the witness, so to speak. The theatre was not filled and I couldn't tell what the audience was thinking. But the dialogue pleased me. Jeff Goldblum, the sleazy lawyer for the electronic voting machine vendor (Delacroy), says quite astutely that in terms of the election, the appearance of legitimacy is more important than legitimacy itself. People voted and the votes were counted; thus, democracy 'worked'. One niggling detail: the votes weren't counted accurately and the wrong person was declared the winner. We now know via many investigations (among them the Harri Hursti/Black Box Voting hack in Leon County, Florida in December 2005, the GAO Report, the Carter-Baker Report, the Brennan Center Report and most recently, the Princeton Center Report) that changing the vote tally is not only easy but can be done in minutes and leave absolutely no trace. As Warren Stewart of VoteTrustUSA put it, is life imitating art or is it the other way around?
Laura Linney is the Delacroy whistleblower who breaks the bad news to Robin Williams. Instinctively, he believes her. Attacked by the bad guys and on the way to the hospital, she tries to explain to Dobbs how the program was switched. She keeps repeating computer lingo that he clearly doesn't understand. She is frustrated because she can't get through to him. That is the feeling that I have had for quite a while, knowing something is wrong, having the evidence, and yet being unable to get through to people.
One day this week, I found myself eating uncontrollably. It didn't matter what it was, in the mouth it went. It didn't even make me feel better; it just hit that emotional emptiness and demanded more. I take all of this very seriously. I am now in the driver's seat. It is my responsibility to do what I can to alert the public about the very real danger that our democracy faces, and it's not from outside our borders.
Remember Paul Revere? People were receptive to his message when he went on that famous ride. His dramatic news was spread in dramatic fashion, by horseback, late at night. In The Tipping Point, Malcolm Gladwell tells of another who went out that night to spread the word and accomplished virtually nothing. The difference in the messengers is instructive. I had never even heard of Revere's fellow revolutionary, William Dawes. Revere, on the other hand, was what Gladwell calls a "connector," with a friendly personality and a large social network. He was active in many different local organizations and was well known and respected. Who he was meant as much as the news he carried.
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