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Edited on Sat Oct-28-06 04:37 AM by Lisa
I just got back from it, and I left the theatre feeling pretty sombre. Let's just say that there were more laughs during "Fahrenheit 9/11", so if you want a film that will rally people around a cause and get them stoked up, this film isn't meant to do it.
This was showing in Canada, and I'm not an American so the issue of a "mockumentary" on a sitting President doesn't have quite the same resonance for me. We've been fortunate enough to escape the political assassinations that affected the US in the 1960s, with the 1970 October Crisis probably being the most dramatic event like that for us (and they're actually airing a miniseries on it this week). I tried to compartmentalize things to distance them from Bush himself as a human being, so I could view it as a "what if" scenario, looking at the consequences -- in fact, the movie opens with an interview voiceover about "consequences" which could be interpreted as criticism of Bush's foreign policy decisions, but which we gradually realize is directed at the assassin. I didn't interpret the film as exhorting people to rise up and try to kill or injure Bush or any other public figure ... quite the contrary, in fact.
Not that I'm an expert, but I thought the thing was very professionally done. More competent at blending the staged and the archival footage than, say, "DC 9/11" did. And as for the actual assassination scene, it's over in a fraction of a second, you don't see blood -- and they hustle "Bush" into the car and take off so quickly that you aren't even sure what you saw, even though you're braced for it. (I recall seeing the Reagan assassination attempt in news clips, and this seems even quicker.)
I should note that the staged interviews with fictional White House staffers and other officials, combined with edited archival footage, combine to make Bush seem like a friendly, reasonably-competent guy. It's rather at odds with all the "Bush is stupid" and "Bush is evil" protest signs being carried around outside (and the signs depicting him with a bulls-eye on his forehead appear not just extreme, but ominous).
The Karen Hughes stand-in (with a different name) is obviously fond of him, and the Secret Service man becomes quite emotional. I felt sorry for that character, even more than for Clint Eastwood in "In the Line of Fire", because while he told the President about his concerns, "Bush" insisted on working the rope line rather than disappointing the crowd, and the film leaves it open whether that was poor judgement or courage on the President's part. We don't see Laura Bush's reaction, though her grief is described -- the film implies that she doesn't get to talk to her husband because he loses consciousness en route to the hospital, and I found that saddening, just because I know several people who weren't able to get there in time when a family member was dying. (By the way, he is not shot in the "gut" as early reviews suggested, but higher up in the lung and heart -- similar to the Reagan shooting, only with severe damage to the aorta -- the fictional doctors remark that Bush's heart is in extraordinarily good shape "for a man of his age", implying that most other people would not have made it as far as Northwestern Hospital.)
The cops and investigators probably have the trickiest roles because they can't make it too easy for the audience to blame them for what goes wrong (prosecuting and convicting the wrong guy), but they do have to get us to think about things like ethnic bias and use of force against the protesters. I know the right-wingers will probably be labelling the filmmakers as "Michael Moore types", but I agree with RamboLiberal's observation. The law enforcement side gets in many arguments about the protesters being misguided, and some of them being outright violent (and also the stuff about "conspiracy theorists"), so we end up seeing a lot of the proceedings through their eyes. Basically the film turns into a police procedural -- since the real-life Bush is supposedly a mystery fan, he'd recognize the genre type.
The protester who gets arrested as a possible suspect just does not come across as sympathetically as, for example, the wife of the Muslim man who's wrongfully charged with the crime. (The filmmakers may be trying to focus the plot on the investigators making the same mistake as the Bush administration itself -- "reaching the conclusion and then trying to find the evidence", as the fingerprint guy, one of my favorite characters, points out.) There's a scene where some of the protesters, on hearing the news of the shooting, start to applaud -- this will probably be played up by the commentators on FOX, though from the context it seems like a wild rumor which most of them don't believe. (Even the veteran's son, himself back from Iraq, said that he did not join in protest marches "like Cindy Sheehan".)
But at the end, I found that the implication that the information about the President's schedule was leaked to the protesters, who (unwittingly or otherwise) passed it along to someone who did want to harm him, is as disturbing as the permanent installation of "Patriot Act III". They don't reveal who did the original leaking, which leaves plenty of room for speculation by the government and opposition sides. And the identity of the actual assassin (a disgruntled African-American veteran of the First Gulf War, who lost his son in Iraq) also raises more issues. He leaves a suicide note after the fact, but his involvement is again not entirely proven .... another thing which would be debated in real life, where cases which seem to have even more evidence are argued over. Other political thrillers like "Wag the Dog" and "Silver City" have also used this kind of ambiguous "ending". RL's comment that it's an uncomfortable film is on the mark, since hardly any of the groups come out of this looking good -- with the possible exception of the veteran's son and the fingerprint expert, both of whom have resolved to tell the truth even if they and their family/associates will be criticized.
Re: the state funeral, I found myself thinking this is the ONE thing which is definitely going to be part of the real Bush's future (distant, I hope) -- I don't think it's ever been denied to a President no matter what he did, even though many of them haven't opted for all the extras (riderless black horse, etc.). I did look at the jet fighters in the "missing man" formation, and wonder whether the Texas Air National Guard would be performing that. (Like RL, I almost teared up at that point, realizing that when he was of that age, he hadn't really messed anything up yet.)
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