A friend from the Washington State chapter of the United Nations Association called me six months ago and asked what I could do to help them build understanding between Iran and the US, and to defuse the tension that could be leading to war. I answered, “The only powerful thing would be to produce a TV show on Iran.”
I remember when the bombs first fell on Baghdad, thinking I'd missed an opportunity to make a travel show that could humanize Baghdad and give “collateral damage” a face. I didn’t want to miss an opportunity to do this for Iran. My government would let me go. The Islamic Republic of Iran actually wanted the publicity. I threw together a proposal for a TV show — no politics, just travel. The working title: Iran: Its People and Culture, Yesterday and Today.
After months of fitful applications and negotiations, we were given visas and the government’s support for our mission: a 10-day shoot in Iran — Tehran, Isfahan, Shiraz, and Persepolis. The permissions were so slow in coming that the project was only a certainty last week when we picked our visas up in Athens. (I had a contingency plan for filming in Istanbul.) Like parents-to-be who want to tell the world but hold back until everything looks okay, I couldn’t announce our plans until we knew for sure the trip was a go.
In the US (where our current policy is not to talk with enemies), the only way we could communicate with Iran was indirectly, via the Pakistani consulate. (The US has more diplomatic dialogue going with North Korea than with Iran.) In Greece, it was strange going into a relaxed, almost no-security Iranian embassy, walking out with visas and knowing we were on our way.
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