Does exist if he cared to read anything other than My Pet Goat.
Bush said Iran funds terrorist extremists, undermines stability in Lebanon, sends arms to the hardline Taliban regime, intimidates its neighbors with alarming rhetoric and defies the United Nations by refusing to be open about its nuclear program.
http://ecx.images-amazon.com/images/I/51shAdr-49L._BO2,204,203,200_PIsitb-dp-500-arrow,TopRight,45,-64_OU01_AA240_SH20_.jpghttp://www.amazon.com/All-Shahs-Men-American-Middle/dp/047018549X/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1200241619&sr=8-1>>On Aug. 15, 1953, a. group of anxious C.I.A. officers huddled in a safe house in Tehran, sloshing down vodka, singing Broadway songs and waiting to hear whether they'd made history. Their favorite tune, "Luck Be a Lady Tonight," became the unofficial anthem of Operation Ajax - the American plot to oust Iran's nationalist prime minister, Mohammed Mossadegh, and place the country firmly in the authoritarian hands of Mohammed Reza Shah.
In fact, luck was not much of a lady that night; as Stephen Kinzer's lively popular history of the 1953 coup recounts, Mossadegh's chief of staff got word of the conspiracy and rushed troops to defend the prime minister, thereby panicking the feckless young shah into fleeing to Baghdad and plunging the carousing Central Intelligence agents into gloom. The coup succeeded four tense days later, only after a C.I.A.-incited mob (led by a giant thug known memorably as Shaban the Brainless) swept Mossadegh aside. Luck was even less kind to the Ajax plotters in the longer haul; in 1979, the despotic shah fell to Islamist revolutionaries bristling with anti-American resentment.<<
>>Tell people today that the United Nations was once the center of the world—the place where struggling nations got a shot at a fair hearing instead of a monkey trial before they were overthrown—and most would probably shake their heads in puzzlement.
Yet it was at the U.N., in October 1953, that one of the greatest dramas of the nascent television age unfolded: The eccentric, hawk-nosed Iranian nationalist leader Mohammed Mossadegh squared off with the aristocratic ambassador of the fading British Empire. At stake was Britain's claim to own Iran's oil in perpetuity.
The press played the showdown like a prize fight, "the tremulous, crotchety Premier versus Britain's super-suave representative, Sir Gladwyn Jebb," in Newsweek's account. The Daily News groused, "Whether Mossy is a phony or a genuine tear-jerker, he better put everything he's got into his show if he goes on television here." Time magazine had made him its Man of the Year. Now came "the decisive act in the dramatic, tragic and sometimes ridiculous drama that began when Iran nationalized the Anglo-American Oil Co. five months ago."
Five centuries ago would be more accurate, in the eyes of veteran New York Times correspondent Stephen Kinzer, who has written an entirely engrossing, often riveting, nearly Homeric tale, which, if life were fair, would be this summer's beach book. For anyone with more than a passing interest in how the United States got into such a pickle in the Middle East, All the Shah's Men is as good as Grisham.
And what a character Mossadegh makes: a fiery, French-educated nationalist with wild eyes, a high patrician forehead and droopy cheeks. His legendary hypochondria—he was prone to fainting and constantly received even diplomatic visitors in bed—seemed to flow from some deep wellspring of Shi'ite martyrdom, Kinzer suggests.
But the author's real accomplishment is his suspenseful account of Persia's centuries-old military, political, cultural and religious heritage, in which Mossadegh's face-off with London comes as the stirring climax to a drama that began with "Cyrus, Darius, and Xerxes, titans whose names still echo through history." By the 1930s, most Iranians had come to regard the abject misery they plunged into with every passing decade of exclusive British control of their one great natural asset as another passing calamity in a long history of the same. But with the global stirring of post-World War II nationalism, Anglo-American Oil pushed them to the breaking point.<<