The power of a panoptic architecture comes from techniques that classify,
segment, and isolate the population. In Bentham's Panopticon, the inmates,
unable to communicate with one another, would be reduced to the status of
"solitary sequestered individuals ... Indulged with perfect liberty within
the space allotted to him, in what worse way could he vent his rage, than
by beating his head against the walls?" < J. Bentham, 1791 >
This 200 year old passage chillingly foreshadows the much-vaunted "consumer
choice" of modern life. As public spaces erode and fragment, individuals
are isolated inside shrinking private spaces - corporate-designed
technological enclosures such as the automobile and the "home entertainment
center". While mentally confined within these cells, individuals are
"indulged with perfect liberty" to choose among the advertised corporate
products. Consumers are offered images of freedom and community, but
never the real thing.
Millions of people are already prisoners of television technology. Although
they are allowed to leave their living rooms on "work furloughs," they have
given up control of their dreams and their time to the rhythms and dictates
of institutional marketing strategies. But even television technology is
primitive compared with what's coming. Designed to channel the flows of
data and socio-economic power, the panoptic project is a transnational
effort to overlay Earth with a computerized surveillance grid.
So far, there has been little criticism of plans to crisscross North America
with the fiber-optic pathways that are supposed to vault us into the next
century. The "digital convergence" of TV with telecommunications and
computer technology is mostly seen as inherently good - a time-saver, a
life-enhancer, a better entertainer. Techno-makers tout its merits and
spend billions to push their products. But its possible downsides are
ignored. The road to freedom via a two-way Information Highway may turn
into a one-way Surveillance Street, used to condition people's thoughts
and control their behavior.
http://www.cs.unm.edu/~refromsn/tv/prisonersAnd another:
For example, December 2003 topics on CBS's 60 Minutes and 60 Minutes II included interviews with Sean Penn (actor), Judge Judy Scheindlin (TV judge), Michael Jackson (singer) and a profile of Saddam Hussein. A month earlier, 60 Minutes produced an interview with Mary J. Blige (singer) and investigative reports Porn in the U.S.A. and Reviving The Dead. Special reports on the NBC program Dateline in June 2004 include The last days of Jesus; Affirmative action: A question of fairness; Dirty Restaurants? Hidden camera investigation: Top 10 chains; and At home with Ben and Jen: Revisit them when they were still Bennifer. This is in addition to interviews with Michael Jackson (again) and Hugh Jackman (actor). These news magazines also include "coverage of the Iraq war," but it's just coverage not investigations.
None of this comes close to unseating the status of Woodward and Bernstein's Watergate. (The only notable exception being 60 Minutes II showing the Iraqi prison abuse pictures, which was really a story uncovered by New Yorker reporter Seymour Hersh.)
Which brings up the topic of The Breasts of Britney Spears' versus The Military Industrial Complex. Television can easily show the trials and tribulations of Britney and her breasts -- but can it show a serious and complicated issue? The emergence of the military industrial complex within the United States should be a topic of hot discussion on TV news. With ongoing military operations in Afghanistan and Iraq and American troops deployed in 135 countries around the world, military preparedness and armaments should be on TV non-stop. It isn't. Why? According to the PEJ report, government stories account for at least one-third of all news stories on network and cable news. Shouldn't the United States' unparalleled military buildup be a top story?
The problem with a TV news story about the military industrial complex is that it can be . . . well . . . complex. It also brings up serious issues. Television is not a serious or complex medium.
Check it out:
http://www.turnoffyourtv.com/commentary/boobtube/boobtube2.html