One greets the death of singer Michael Jackson at the age of 50 with genuine sadness, but without extraordinary surprise. Given the entire set of circumstances, it was not clear how his saga might end happily.
Those who enjoyed his music and dancing, and also perhaps felt sympathy for his obvious personal traumas, will respond with spontaneous emotion. The opposite must be said about the reactions of entertainment industry moguls and the media...
It is not doing recording industry executives, a notoriously predatory breed, any particular injustice to suppose that Jackson’s death was immediately looked upon in certain circles as a golden opportunity to improve this year’s tumbling compact disc sales...
As for the mass media, at the time of Jackson’s 2005 trial in California on charges of child molestation, the various news outlets highlighted each salacious detail and speculated in the most lurid fashion about his private life....
One of the most repugnant offenders in all such cases, Rupert Murdoch’s Sun in Britain, for example, pontificated Friday: “He fought off his accusers, but his health was broken and his fortune destroyed. Let us remember today the Michael Jackson the world loved: The child star of the Jackson Five whose talent, charisma and charm captivated the world..."
Such was the corrupt, hypocritical environment in which Jackson operated and that effectively destroyed him. It would seem imprudent to separate his death, whatever its immediate physiological cause proves to be, from the immense strains in his life...
Coming from a difficult family background, as we noted in 2003, “Jackson was swept up by the American entertainment industry’s bone-crushing machinery — and not, given his psychic vulnerabilities, at the most propitious moment.
...The album “Thriller” went on to sell an astonishing 109 million copies, making it the bestselling such compilation of all time.
To the entertainment and media world such stratospheric success signifies both money and blood. On the one hand, of course... sales... and all the rest generate huge profits for the conglomerates which exploit and feed off the genuine talent of individuals such as Jackson and many, many others.
Years of effort, vocal or compositional skill, conscientiousness, generosity, humanity, whatever the performer brings to his or her music, is valuable to the industry only in so far as it brings in money.
On the other hand, celebrity itself plays an important and unhealthy role in the US. In a country where only the most constricted official debate takes place over vital issues (between right-wing and other, even more right-wing conceptions) and political life is almost entirely scripted, a voyeuristic fascination with the lives of the wealthy and famous helps fill some of the void and also diverts the attention of the population from its real needs and interests.
At the same time, however, popular frustration and discontent do not disappear. The general public’s attitude, nourished by the media, toward “celebrities” often veers between uncritical admiration and resentment.
The tabloids, talk shows and “entertainment news programs” manipulate these sentiments for their own purposes. The unfortunate athlete, pop star or movie performer who falls from grace may find him or herself demonized in a truly monstrous manner.
For someone like Jackson, gifted but also psychologically deeply troubled, to be violently jerked around — adored one day, ridiculed and despised the next — must have been particularly distressing. This is a man who, according to his own words, lived for his performances on the stage and for the adulation of anonymous masses of people.
Now, the giant media and entertainment machinery will try and extract what value it can from Jackson’s death, while keeping its eyes open for its next victim.
http://www.wsws.org/articles/2009/jun2009/jack-j27.shtml