By Roy Dickinson "indethinker" (Venezuela)
A mish mash of mis information, discredited reports, for example the chavistas on the bridge shooting the opposition marchers below, anyone who has seen "The Revolution Will Not Be Televised" knows this, and downright lies. This "book" is nothing more than blatant propoganda trying to stir up more discourse against the Chavez government, the author should be thoroughly ashamed to put his name to this. His "journalism" is from the Ann Coulter school of writing, doesn't matter what you write, the sheep will read it just to reinforce their warped view of reality.
If you want to really understand Venezuela and Chavez, do yourself a favor don't waste your money on this, buy "Hugo" by Bart Jones, a fair and balanced journalist in the true sense of the words.
The only reason I gave it 1 star is I couldn't post this reveiw with 0 stars, like it deserves.
By Mr. Fellini "Fellini" (El Paso, Texas United States) - See all my reviews (TOP 500 REVIEWER)
The April 2002 coup in Venezuela by right-wing, reactionary forces against the elected Hugo Chavez government remains one of the most controversial events in recent South American history. For two days Venezuela almost suffered the same fate as Chile on September 11, 1973, when US-backed military men overthrew the elected Salvador Allende government and shattered the nation's democratic structure. Brian Nelson's "The Silence And The Scorpion" is an attempt at creating a sort of chronicle of the coup, its participants and aftermath. It features some interesting interviews, many new to the scholarship of the event, but ultimately it fails at being a serious, credible work because Nelson's prejudices interrupt the narrative and taint the interpretation of events. Nelson dismisses crucial events and evidence already chronicled by far more respectable scholars and promotes a classic, anti-Chavez agenda present in Liberal American circles. Surprising that this was published by Nation Books, which has published some vital works of recent journalism by Jeremy Scahill and others.
The strength of Nelson's book are mostly the interviews, they present insights into the kind of class divisions and social struggles taking place in Venezuela as the elite sector of society finds itself threatened by a popular, socialist government. We read commentary by both pro-Chavez and anti-Chavez figures and it is interesting to see how two different sides can have completely different versions of the same event. For the revolutionary Chavistas, the events of April 2002 were part of an obvious, fascist coup, the anti-Chavistas try to hide behind the excuse that it was a "popular uprising" hijacked by business elites who installed a puppet President in the form of Pedro Carmona. Carmona abolished all the democratic institutions of the government, making himself dictator. The Venezuelan masses however, along with honorable soldiers and generals, stopped this new Pinochet from birthing himself.
The first main flaw of this book is that Nelson fails to provide a good analysis or account of what provoked the clash of 2002 to begin with. His opening gives a quick, speedy explanation that mostly consists of: Chavez was elected in 1998, he admires Fidel Castro, some peoeple didn't like his social policies and so the coup took place. His examination of modern Venezuelan society is quite pathetic and omits crucial events to understand current developments. For example, Nelson slightly mentions the 1989 "Caracazo," when the government of Carlos Andres Perez killed 3,000 civilians, mostly from poor barrios, who were protesting neoliberal, capitalist policies, without much historical background or insight in his depiction. It was this event that helped spark what would become the Bolivarian movement. Yet Nelson simply makes it seem as if Chavez and his movement just came out of nowhere and rose to power based on pure, empty populism. An examination of the economic, social conditions in Venezuela is vital to understand the Bolivarian Revolution and its mass appeal. I recommend Bart Jones' "Hugo!", Gregory Wilpert's "Changing Venezuela By Taking Power" and Tariq Ali's "Pirates Of the Caribbean," these are far more detailed, serious studies of current Venezuelan politics and society, including class and racial issues barely if ever explored by Nelson.
The other major flaw is how Nelson readily subscribes to the baseless theories and claims by the oligarchs who launched the coup. He tries to paint the April 2002 events as a mass uprising against Chavez when, as journalists like Tariq Ali, Wilpert and Eva Golinger have demonstrated in highly detailed works, the march towards Miraflores was part of a series of planned destabilzation measures which had been building up since Chavez was elected. The coup plotters wanted to provoke violence by intentionally moving the march towards the Presidential Palace. One of the coup plotters, Admiral Carlos Molina, even appeared on TV the day after the coup revealing that the overthrow of Chavez had been planned A YEAR IN ADVANCE (Tariq Ali, "Pirates Of The Caribbean"). The mass destabilization operations by the right-wing are especially well-documented in Golinger's "The Chavez Code." Nelson dedicates barely a few lines to Golinger's work, dismissing it without serious evidence and even misspelling her name as "Grolinger."
The most ludicrous claim Nelson makes is that the events of April 2002 were actually a democratic coup hijacked by Venezuelan businessmen. As Tariq Ali documents in "Pirates Of The Caribbean," Pedro Carmona had already been in Spain weeks, maybe months before the coup, being fitted for his Presidential sash. The involvement of the then conservative Aznar government in Spain had become so evident in fact, that when Luis Zapatero became Prime Minister he sent an official apology to Chavez. It is true that when Carmona made it obvious that he planned to install a full dictatorship he was dumped by many of his colleagues who preferred a simple client state instead. Nelson fails here in documenting the mass uprising which overthrew the coup, documented by the already mentioned authors and Bart Jones, who's "Hugo" should be considered vital reading and John Pilger, who's film "The War On Democracy" captures the mass demands for an elected, overthrown President to be returned.
The way Nelson dismisses important documents is also evidence of his agenda. He tosses aside the crucial documentary "The Revolution Will Not Be Televised" which was filmed by a group of Irish filmmakers who documented the coup from the inside (they were in Venezuela to interview Chavez when the events unfolded). This is the best visual record available on the coup, it remains unavailable officially on DVD (thanks to threats by right-wing groups, some who even threatened violence at film festivals) but you can see it right now on YouTube. Nelson claims the documentary plays with the facts, but never fully explains how except with one criticism over footage which proved Chavez supporters were not firing into crowds. And even Nelson's explanation here is hollow, he claims the film is biased and then recommends a very biased, right-wing anti-Chavez website for proof. Nelson then goes on to dismiss Eva Golinger's discovery of documents which prove the US was connected to the coup, claiming the documents prove nothing when in fact, they prove a deep connection between the US Embassy and right-wing coup plotters in the country. Of course Nelson devotes one or two sentences to make his case. Golinger's superior scholarship can be found in her book, "The Chavez Code." Nelson also fails to document the crucial role private media played in the coup. Most of Venezuela's channels remain private, and their broadcasting could be described as Fox News times ten. As Golinger, Ali and Wilpert have documented, the media happily went along with the coup and purposely blocked vital information from the people.
The epilogue is also a mish-mash of criticisms and baseless accusations. Nelson accuses Chavez of resorting to violence these days, but doesn't explain how and never bothers to show how it has been the right-wing opposition which has killed people (a Bolivarian college student in 2007 during street protests), sparked violence in the streets and even threatened to "burn Caracas." Nelson comes across as an American Liberal who supports mild, timid policies and so he is turned off by Chavez's calls for revolution. He recycles the neocon predictions of Venezuela on the brink of financial collapse due to the world economic crisis, but recent studies show that the country is actually quite stable financially with the highest minimum wage in the region, a 30% hike in teachers' salaries and a growing economy. Is Hugo Chavez perfect? Far from it. There are many things one could criticize about the man, as one could criticize any leader or politician, but Nelson's hysterical claims have no basis in reality. Nelson also makes claims that Chavez seeks to impose a Cuba-style system, or basically copy Fidel Castro's structure of governance, but the evidence shows that although Chavez seeks socialism, he is bent on not copying Cuba in every form. In fact, Venezuela remains a capitalist state in its essential structure.
"The Silence And The Scorpion" is not pure right-wing trash, it is a Liberal-minded American trying to explore a controversial subject and siding with the elites and reactionaries in his interpretation of events. Nelson concedes that Chavez was democratically elected, but due to his lack of serious scholarship of historical presentation, Nelson fails to present a strong, detailed analysis of why Chavez's Bolivarian Revolution has gained strength in Venezuela and why it has been so hard for his opponents to bring him down. It's a nice try, but the scorpion here has no sting.
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