Source: Wall Street Journal
By JUDITH H. DOBRZYNSKI
photo credit: Erich Lessing/ Art resource, NY.
Sidon, a port city about 25 miles south of Beirut whose rich history dates to 4000 B.C., was among the most successful of the Phoenician city-states. In the fourth century B.C., it fell to Alexander the Great, entering a Hellenistic age that lasted for more than 100 years until the Romans took over. It changed hands several more times before becoming part of the Ottoman Empire in the 17th century.
So it is not surprising that when, in the mid-1800s, archaeologists started exploring Sidon, they found treasures. The French turned up (among other things) a sarcophagus that belonged to a Phoenician king named Eshmunazar II and sent it back to the Louvre. Later, a Turk named Osman Hamdi Bey, who had studied in Paris, became director of the Archaeological Museum in Istanbul and began leading his own excavations in Sidon. In 1887, his team hit upon more than two dozen sarcophagi. Many were stunning, including the Sarcophagus of Mourning Women, which shows 18 comely, elegant females in varying expressions of grief; it’s now in the Istanbul museum.
But the star discovery was clearly a fantastically beautiful burial chamber depicting Alexander in battle and at hunt in high-relief. One glance told the Ottoman archaeologists that it was made for someone special. Given its date—fourth century B.C.—and its Hellenistic style, they proposed that it belonged to Alexander.
It didn’t, everyone now says. Alexander’s tomb has never been found (though a few academics argue that a sarcophagus found in Alexandria and now at the British Museum is his; the British Museum disagrees). The specimen in question, which nevertheless became known as the Alexander Sarcophagus, was likely carved for Abdalonymos, a gardener of royal blood who was made Sidon’s king by Alexander in 332 B.C. (some scholars disagree about this, too).
http://online.wsj.com/article/SB10001424052970204621904574246094055079788.html