They are all good, but I thought everyone would be particularly interested in this one. Use the right/left arrows to view all the slides and essays.
http://www.salon.com/entertainment/movies/film_salon/2010/07/23/moviegoing_memories_slide_show/slideshow.htmlSlide show: The movie experience I can't forget
Writers and filmmakers recall the sights, sounds and feelings that stay with them long after the lights come up7 of 15
"JFK," 1991
Northpark Cinema 1 & 2, DallasI spent most of my youth in Dallas, the city where John F. Kennedy was shot dead on Nov. 22, 1963. It is impossible to overstate how heavy the assassination weighed on the people of Dallas — not just because it was a national trauma that happened in our backyard, but also because Dallas is a deeply conservative city that mostly hated Kennedy (an often-evaded fact that deepened the city's guilt and shame).
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Then Oliver Stone came to town.
If you were alive and awake before and after the release of Stone's 1991 paranoid thriller "JFK," you surely read or heard numerous, intense arguments about the veracity of Stone's research and the ethics of his filmmaking. And throughout the first two hours of Stone's three-hour epic, that's what I was thinking about: the politics, the technique, the intent.
Then came the Zapruder film sequence.
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Then came the killing shot, and for a few seconds a hush fell over the movie — and the audience.
"Back and to the left," Garrison told the courtroom. "Back and to the left. Back ... and to the left."
All you heard was Garrison's voice and that clattering projector.
And the sound of one person crying.
And another. And another.
The crying became sobbing. With each passing second it grew in scope and intensity — a wave of horror and sadness that started somewhere in the back of the theater and rippled forward, passing through every row, every section, and finally breaking in the front, where I heard a woman gasp, "Oh, my God...."
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