I just found a quick Wikipedia on it. They are called both "bowlers" and "derbys:"
It has also been worn by Quechua and Aymara women in Peru and Bolivia since the 1920s when supposedly a shipment of bowler hats was sent from Europe to Bolivia via Peru for use by Europeans who were working on the construction of the railroad. The hats were found to be too small and were distributed to locals. The luxurious, elegant and cosmopolitan Aymara Chola dress which is an icon to Bolivia (bowler hat, Manila Shawl, heavy pollera (a type of skirt) with petticoats, boots, jewelry, etc.) was born and evolved in Chukiago City and it is clearly not provincial but urban. The dress has become an ethnic symbol for the Aymara women. In addition, numerous Aymara live and work as campesinos in the surrounding Altiplano.
http://en.wikipedia.org/wiki/Bowler_hatHere's an interesting article from the N. Y. Times regarding Bolivian hip hop kids, and an interesting photo of an Aymara woman crossing paths with some hip hop kids:
May 26, 2005
Young Bolivians Adopt Urban U.S. Pose, Hip-Hop and All
By JUAN FORERO
EL ALTO, Bolivia, May 24 - This sprawling city on Bolivia's windswept high plains, home to nearly 800,000 Indians, is a tradition-bound place where the language is Aymara, the women wear derby hats and layer-cake skirts and families relax to centuries-old Andean music, which is heavy on pipes but devoid of lyrics.
In other words, not exactly the place you would expect to find a thriving, politically charged rap culture.
But El Alto - a flash point for protest and the capital of indigenous Bolivia - is seething, and a growing number of young Aymara are expressing their anger in a hard-driving rap, complete with rapid-fire lyrics excoriating Bolivia's leaders and venting about the dire social conditions of the country's Indian majority.
Adopting the trappings of American hip-hop, young Aymara wear baggy pants and baseball caps and strike the pose of urban America, hand signs, cocky talk and all.
Their inspiration, though, comes straight from Bolivia's recent tumultuous history: the fall of President Gonzalo Sánchez de Lozada in October 2003 after protests in which 60 Indian demonstrators were killed, the bitter struggle over development of Bolivia's huge natural gas reserves, the indignation over the Washington-financed eradication of coca and the desperate poverty.
"We have lyrics about Black October," said Abraham Bojórquez, 22, the natural leader of a group of about 20 rappers. "We sing about coca, about poverty. Our singing is revolutionary. We protest without marches or strikes. We do it through music, to reach as many people as possible."
In the song "Jichaw" - Aymara for "Now" - the chorus, also in Aymara, captures the fervor of Bolivia's emboldened Indians: "Now we are speaking. Now they will know us. Now we will rise up." Switching to Spanish, the rappers then sing of how "the revolution has started, against the system and the state."
The rappers, belonging to groups with names that translate as, for example, Insane Race, the Lyrical Urban Movement and the Clandestines, often mix Aymara with their Spanish. Their songs combine a strong love of their country with a deep resentment toward those who have oppressed and exploited it, whether insiders or outsiders.
"Proud to be born in my Bolivia," goes one song by Lyrical Urban Movement, "though a land wounded by oppressors who call themselves defenders of my land."
More:
http://www.nytimes.com/2005/05/26/international/americas/26bolivia.htmlThere's an audio side show in the left column.http://www.cinematical.com.nyud.net:8090/media/2006/06/charlie_chaplin01.jpgLove those dancing Laurel and Hardy guys. They move divinely!