https://en.wikipedia.org/wiki/Human_Be-In



The Human Be-In was an event in San Francisco's Golden Gate Park Polo Fields on January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word "psychedelic" to suburbia.


Event
The Human Be-In was announced on the cover of the fifth issue of the San Francisco Oracle as "A Gathering of the Tribes for a Human Be-In". The occasion was a new California law banning the use of the psychedelic drug LSD that had come into effect on October 6, 1966. The speakers at the rally were all invited by Bowen, the main organizer. They included Timothy Leary in his first San Francisco appearance, who set the tone that afternoon with his famous phrase "Turn on, tune in, drop out" and Richard Alpert (soon to be known as "Ram Dass&quot , and poets like Allen Ginsberg, who chanted mantras, Gary Snyder and Michael McClure. Other counterculture gurus included comedian Dick Gregory, Lenore Kandel, Lawrence Ferlinghetti, Jerry Rubin, and Alan Watts. The Hells Angels, at the peak of their "outlaw" reputation, corralled lost children. Music was provided by a host of local rock bands including Jefferson Airplane, The Grateful Dead, Big Brother and the Holding Company, Quicksilver Messenger Service, and Blue Cheer most of whom had been staples of the Fillmore and the Avalon Ballroom. "Underground chemist" Owsley Stanley provided massive amounts of his "White Lightning" LSD, specially produced for the event, as well as 75 twenty-pound turkeys, for free distribution by the Diggers.

The national media were stunned, publicity about this event leading to the mass movement of young people from all over America to descend on the Haight-Ashbury area. Reports were unable to agree whether 20,000 or 30,000 people showed up at the Be-In. Soon every gathering was an "-In" of some kind: Just 4 weeks later was Bob Fass's Human Fly-In, then the Emmett Grogan inspired Sweep-In, Rowan and Martin's Laugh-In comedy television show began airing over NBC just a year later on January 22, 1968. This was followed by the first "Yip-In" (March 21, 1968, at Grand Central Terminal), "Love-In" (April 14, 1968, at Malibu Canyon) and "Bed-In" (March 25, 1969, in Amsterdam).

The Human Be-In was later recalled by poet Allen Cohen (who assisted the artist Bowen in the organizational work, ) as a meld that brought together philosophically opposed factions of the San Francisco-based counterculture at the time: on one side, the Berkeley radicals, who were tending toward increased militancy in response to the U.S. government's Vietnam war policies, and, on the other side, the rather non-political Haight-Ashbury hippies, who urged peaceful protest. Their means were drastically different, but they held many of the same goals.

According to Cohen's own account, his friend Bowen provided much of the "organizing energy" for the event, and Bowen's personal connections also strongly influenced its character.

The counterculture that surfaced at the "Human Be-In" encouraged people to "question authority" with regard to civil rights, women's rights, and consumer rights. Underground newspapers and radio stations served as its alternative media.



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