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Coventina

(27,172 posts)
Thu Oct 26, 2017, 06:38 PM Oct 2017

Artist Defends Chinatown Exhibit After Protests

Yet another bitter battle over art, appropriation and censorship is being waged this week — this time over a depiction of a Chinatown waiting room.

The Berlin-based artist Omer Fast presented his 3D film “August” at the James Cohan Gallery’s Grand Street location starting in September. The film dealt with the German photographer August Sander and Nazism, but Mr. Fast hoped to better integrate the installation with the surrounding community: to “transform the gallery facade and interior into what they were like before gentrification,” according to the gallery’s news release.

So he put up a yellow facade with faded red Chinese characters and constructed a waiting room, in a similar spirit to the airport lounges and doctor’s waiting rooms he had devised in Berlin, Minneapolis and other places. This installation was especially meant to conjure a Chinatown bus stop, with its mismatched tiles, hanging red lanterns and unglamorous folding chair setup. A representative for the Cohan Gallery said Mr. Fast visited the space and surrounding area several times to get a feel for the aesthetic.

But the Chinatown community saw it differently. “This exhibition is a hostile act towards communities on the front lines fighting tenant harassment, cultural appropriation and erasure,” the Chinatown Art Brigade wrote in an open letter. “The conception and installation of this show reifies racist narratives of uncleanliness, otherness and blight that have historically been projected onto Chinatown.”

A group of protesters gathered at the gallery on Sunday, making speeches calling for the shutdown of the exhibition and holding signs that read “racism disguised as art” and “this is not my culture.”

https://www.nytimes.com/2017/10/19/arts/artists-chinatown-depiction-ignites-protests.html?emc=edit_tnt_20171026&nlid=73531149&tntemail0=y

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Artist Defends Chinatown Exhibit After Protests (Original Post) Coventina Oct 2017 OP
I'm not sure about this one ProudLib72 Oct 2017 #1
Definitely cultural appropriation Not Ruth Oct 2017 #2
The protest is part of the art. McCamy Taylor Oct 2017 #3
Haven't seen Omer Fast's film but... bagelsforbreakfast Oct 2017 #4

ProudLib72

(17,984 posts)
1. I'm not sure about this one
Thu Oct 26, 2017, 06:50 PM
Oct 2017

I can definitely see how it's very similar to someone claiming Confederate statues are just historical pieces and ignoring the message. If Fast is trying to portray the "old" Chinatown as a bygone era that will be missed, then that is surely a perception held only by those who visited Chinatown in the past (not those who lived in the muck and confronted the label of 'other'). Yeah, I can see the appropriation. What I find alarming is that Fast likened protestors to the white nationalists in Charlottesville.

McCamy Taylor

(19,240 posts)
3. The protest is part of the art.
Thu Oct 26, 2017, 07:11 PM
Oct 2017

The installation is way more interesting if people are there reacting to it.

Which gives me an idea. We should surround Confederate General statues with art that depicts popular outrage. Rather than just taking them down, how about statues of people looking shocked? Or maybe imagines of people who suffered under slavery. Or other protest pieces. I think that would be a lot more educational than simply hiding our shameful past.

I would love to see the old monument celebrating the great Union "victory" at Sand Creek installed somewhere with a half dozen works of art around it portraying the Native American genocide.

 

bagelsforbreakfast

(1,427 posts)
4. Haven't seen Omer Fast's film but...
Thu Oct 26, 2017, 07:33 PM
Oct 2017

it made me think of the work of Julius Fast (no relation to Omer).

Just a bit tired of Everything being attacked for insensitivity - a glance at stills from his film gives the indication it is not modern day period.

I remember an early Brian DePalma film satirizing white theatergoers during the racially tense late 60s - where white liberals paid through the nose to be physically attacked during the performance and then, when charged money at the end relaxed despite what they had endured. That was Satire - which people in the US could then discern as the difference between art and reflex sensitivity worship.

Is it good to be sensitive? - yes. Is it a Commandment to be hyper-sensitive? I think not.

So would a film about refugees on a ship bound to America in the early 1900s (say carrying a young Charlie Chaplin) be rightly attacked by UK descendants as "English Poverty Porn?"

Or photos/films of Julius Fast from the lower east side of NYC in the same period be banned as "Jewish Poverty Porn"?

I'd say Jews have a pretty good claim against (6M of them) to be sensitive to and I doubt the majority would advocate banning Julius Fast's photos. But I get the sense these protesters would (if they were Chinatown photos instead of NYC ghetto photos).

But then maybe Trump and Bannon are winning the culture war, after all.

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