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Judi Lynn

(160,648 posts)
Sun Feb 28, 2016, 11:28 AM Feb 2016

The Tragic, Forgotten History of Zombies

The Tragic, Forgotten History of Zombies

The horror-movie trope owes its heritage to Haitian slaves, who imagined being imprisoned in their bodies forever.

Mike Mariani
| Oct 28, 2015

In the original script for 1968’s Night of the Living Dead, the director George A. Romero refers to his flesh-eating antagonists as “ghouls.” Although the film is widely credited with launching zombies into the cultural zeitgeist, it wasn’t until its follow-up 10 years later, the consumerist nightmare Dawn of the Dead, that Romero would actually use the term. While making the first film, Romero understood zombies instead to be the undead Haitian slaves depicted in the 1932 Bela Lugosi horror film White Zombie.


By the time Dawn of the Dead was released in 1978 the cultural tide had shifted completely, and Romero had essentially reinvented the zombie for American audiences. The last 15 years have seen films and TV shows including Shaun of the Dead, 28 Days Later, World War Z, Zombieland, Life After Beth, iZombie, and even the upcoming Pride and Prejudice and Zombies.

But the zombie myth is far older and more rooted in history than the blinkered arc of American pop culture suggests. It first appeared in Haiti in the 17th and 18th centuries, when the country was known as Saint-Domingue and ruled by France, which hauled in African slaves to work on sugar plantations. Slavery in Saint-Domingue under the French was extremely brutal: Half of the slaves brought in from Africa were worked to death within a few years, which only led to the capture and import of more. In the hundreds of years since, the zombie myth has been widely appropriated by American pop culture in a way that whitewashes its origins—and turns the undead into a platform for escapist fantasy.

The original brains-eating fiend was a slave not to the flesh of others but to his own. The zombie archetype, as it appeared in Haiti and mirrored the inhumanity that existed there from 1625 to around 1800, was a projection of the African slaves’ relentless misery and subjugation. Haitian slaves believed that dying would release them back to lan guinée, literally Guinea, or Africa in general, a kind of afterlife where they could be free. Though suicide was common among slaves, those who took their own lives wouldn’t be allowed to return to lan guinée. Instead, they’d be condemned to skulk the Hispaniola plantations for eternity, an undead slave at once denied their own bodies and yet trapped inside them—a soulless zombie.

More:
http://www.theatlantic.com/entertainment/archive/2015/10/how-america-erased-the-tragic-history-of-the-zombie/412264/?utm_source=nl__link3_103015

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The Tragic, Forgotten History of Zombies (Original Post) Judi Lynn Feb 2016 OP
I recall reading an article some years ago... gregcrawford Feb 2016 #1
Maybe you're thinking of Hassan I Sabbah. OnyxCollie Feb 2016 #2

gregcrawford

(2,382 posts)
1. I recall reading an article some years ago...
Sun Feb 28, 2016, 12:29 PM
Feb 2016

... that described a hypnotic drug that induced a sort of somnolent, unthinking obedience in the victims to whom it was administered. It was supposedly used even by present-day practitioners of an obscure sect of an arcane animist religion, and may have been the root of the zombie myth. Can't find it right off the bat, but I'll look some more. It was quite a while ago.

 

OnyxCollie

(9,958 posts)
2. Maybe you're thinking of Hassan I Sabbah.
Sun Feb 28, 2016, 01:49 PM
Feb 2016
The Old Man of the Mountains
http://www.phinnweb.org/neuro/assassins.html

Hasan began to attract young men from the surrounding countryside, between the ages of twelve and twenty: particularly those whom he marked out as possible material for the production of killers. Every day he held court, a reception at which he spoke of the delights of Paradise... "and at certain times he caused draughts of soporific nature to be administered to ten or a dozen youths, and when half dead with sleep he had them conveyed to the several palaces and apartments of the garden. Upon awakening from this state of lethargy their senses were struck by all the delightful objects, and each perceiving himself surrounded by lovely damsels, singing, playing, and attracting his regards by the most fascinating caresses, serving him also with delicious viands and exquisite wines, until, intoxicated with excess and enjoyment, amidst actual rivers of milk and wine, he believed himself assuredly in Paradise, and felt an unwillingness to relinquish its delights. When four or five days had thus been passed, they were thrown once more into a state of somnolency, and carried out of the garden. Upon being carried to his presence, and questioned by him as to where they had been, their answer was 'in Paradise, through the favour of your highness'; and then, before the whole court who listened to them with eager astonishment and curiosity, they gave a circumstantial account of the scenes to which they had been witnesses. The chief thereupon addressing them said: 'We have the assurance of our Prophet that he who defends his Lord shall inherit Paradise, and if you show yourselves to be devoted to the obedience of my orders, that happy lot awaits you'."

Suicide was at first attempted by some; but the survivors were early told that only death in the obedience of Hasan's orders could give the Key to Paradise. In the eleventh century it was not only credulous Persian peasants who would have believed such things were true. Even among more sophisticated people the reality of the gardens and houris of paradise were completely accepted. True, a good many Sufis preached that the garden was allegorical - but that still left more than a few people who believed that they could trust the evidence of their senses.

The ancient Art of Imposture, by Abdel-Rahman of Damascus, gives away another trick of Hasan's. He had a deep, narrow pit sunk into the floor of his audience-chamber. One of his disciples stood in this, in such a way that his head and neck alone were visible above the floor. Around the neck was placed a circular dish in two pieces which fitted together, with a hole in the middle. This gave the impression that there was a severed head on a metal plate standing on the floor. In order to make the scene more plausible (if that is the word) Hasan had some fresh blood poured around the head, on the plate.

Now certain recruits were brought in. "Tell them," commanded the chief, "what thou hast seen." The disciple then described the delights of Paradise. "You have seen the head of a man who died, whom you all knew. I have reanimated him to speak with his own tongue."

Later, the head was tracherously severed in real earnest, and stuck for some time somewhere that the faithful would see it. The effect of this conjuring trick plus murder increased the enthusiasm for martyrdom to the required degree.
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